However, he is less sanguine about the opportunities for those inspired to follow his footsteps. “In Singapore, you can’t earn much as a performer,” he said. “Even if I teach the students, where can they go after that? It is very difficult to make a living out of this.”
For now, he finds fulfilment in busking and sharing his music with the public.
Lee has written and composed a few original pieces in the course of his career, but he is selective with his performing repertoire, saying that the bustling streets call for familiar tunes that strike a chord with his audience.
From popular jazz melodies like Kenny G’s The Moment and Loving You to renditions of Chinese pop hits like Tong Hua, Lee curates his performance slate meticulously.
“When I play music that is familiar to them, they’ll stop and listen. Most of them will donate money after my performance. Some of them even say that I am the Chinese equivalent of saxophonist Kenny G,” Lee said with pride.
Most of all, Lee finds contentment in bringing joy to others through his music. “When I busk, I am not asking for a huge donation. As long as they are happy listening to my music, I am happy.”
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