3.5/5 stars
Depicting the prosaic concerns of two adult children in a single-parent family in Hong Kong during the Covid-19 pandemic, Lo’s bittersweet film is a character-driven drama that is heavy on feelings. It is thoughtful and endearing, and prefers minor developments to major dramatic conflict.
The film begins with an old photo as its protagonist, Mei-chen (Gladys Li Ching-kwan in her most complete performance yet), explains in a voice-over that it is the first and last time she was pictured in a family portrait alongside her father, who left the household before she turned one and never returned.
All her life she has regretted not having had the opportunity to get to know her father, although she faces more immediate problems in the present.
Mei-chen, who is inexperienced in romance, has just started using a dating app at the urging of her happy-go-lucky cousin (Amy Tang Lai-ying), but her first date produces not a match but an awkward trip to a love motel, followed by plenty of unanswered texts and even more question marks in her head.
