The Reclamation of Jane Campion’s “In the Cut”
“In the Cut,” which premièred in 2003, is Jane Campion’s most ghettoized picture. The Australian director has been lauded for films such as “The Piano,” about motherhood and marriage, and “The Power of the Dog,” her subversive Western. But when she takes her interesting periodic leaves from the nineteenth and early twentieth centuries, some critics, … Read more
