Why Tsui Hark’s Shanghai Blues, shown at Cannes 2024, is one of his best films 40 years on

Why Tsui Hark’s Shanghai Blues, shown at Cannes 2024, is one of his best films 40 years on

The film was well received by Hong Kong cinema-goers when it was released in 1984. “A real gem of a picture!” enthused the Post reviewer. “In Shanghai Blues, Tsui has created a mixture of Cantonese pop, comedy, poignant romance, slapstick humour laced with music, satire, fresh creativity, artistry and good taste.” Tsui liked it, too … Read more

Changing culture in Hong Kong around 1997 handover captured in Fruit Chan’s films The Longest Summer and Little Cheung

Changing culture in Hong Kong around 1997 handover captured in Fruit Chan’s films The Longest Summer and Little Cheung

Instead, Chan depicted how the return to China was changing Hong Kong’s culture and identity. He showed this by filming the small daily occurrences he saw around him. “None of it relates to my political stance. I just try to project what is happening every day on to the big screen,” he told the Post … Read more