Leos Carax’s Self-Portrait Film “It’s Not Me” Is So Him
Fully half of the best films ever—from Charlie Chaplin’s to Claude Lanzmann’s—are replete with cinematic selfies. Yet they are rare over all, perhaps because the camera is an unflinching diagnostician. The medium admits self-portraiture with obvious ease (just step in front of the camera), but few filmmakers can withstand its penetrating gaze, which is surely … Read more
